Learn the updated shortcuts in Arrangement View Once you have your parameters organized, you can choose Session Record to toggle automation overdubbing, then hit Record and play the mixing/automation you want live. Mapping those lets you consolidate and organize what you most want to manipulate, and it means easy access on controllers – everything from Push to some of the cheapest third-party controllers out there has knobs that will map to this easily. This drops them into a Device Rack (Audio or Instrument), which means you have eight mappable macro controls. Shift-click to select multiple devices and/or plug-ins, then choose Ctrl/Cmd-G to group them. Click on parameters on the panel, then press delete to remove them. You can look in the plug-ins GUI, then click on a parameter to add it to the panel. Click Configure, and then add/remove those parameters that are important to you. Plug-ins often have too many parameters to manage all at once. You can likewise organize parameters you want to use in your arrangement from your various instruments and effects.Ĭlick the Fold/Unfold Device Parameters to show or hide all the various parameters of an Ableton device or a plug-in. Organize parameters for automation, overdub automationĪ composer will typically work with chosen parameters of sound, rhythm, and pitch. Even on a single display, this is a big timesaver (just put the windows side by side). CTRL-SHIFT-W brings up a second window to make this easier than dragging and dropping on the little Arrangement View icon. Okay, but what if you want to move individual clips? You can drag them in. The Record button in Live is technically called the “Arrangement Record” button for a reason: it’s designed to let you record not just in the way a conventional DAW does, but by capturing what you’re doing with clips and automation into the Arrangement View. Once you’ve done that, it’s possible to improvise – especially useful with Push and other controllers. Select a time range, and choose Create > Consolidate Time to New Scene, and you’ll get a scene with one clip per track. You can work in the opposite direction, too. Repeat with different clips selected, and you can build up a song structure.Ĭonsolidate Time to New Scene. This creates a new scene with the clips playing. Select some clips that you like together, then choose Create > Capture and Insert Scene from the menu (or the Duplicate button on Ableton Push). You can do that with a pair of commands:Ĭapture and Insert Scene / Duplicate. Part of maximizing your creativity in Live is about understanding how to move material between Session and Arrangement – and it’s not always obvious.įirst, you may want to reorganize a cluttered session into scenes. Use Session View to sketch out arrangements Each of these methods has an accompanying musical application – some way you can use these chops to focus on assembling your ideas. And, of course, we’d love to hear some of your own ideas and add to this resource over time.īut don’t think of this as just a dull, dry manual you’ve got to dig through. Here are both some general strategies and specific tips and tools to guide working more productively. But that still means learning some keyboard shortcuts. Some of this is designed to be “discoverable” – Ableton has done user testing and responded to how we work. The good news is, Ableton have included some significant improvements in that area in Live 10 and Live 10.1. It’s not when you want to be stumbling around the interface. Mastering arrangement workflows gives you the power to be fluid with your musical ideas after they’re recorded. There’s plenty of talk about capturing ideas or starting new music, but what about finishing? Here are all the ways you can work more quickly when arranging music in Ableton Live, in one place for easy reference.
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